Viewed from the side, the laminated wood describes a thin, neat stroke, underscoring the special quality of this design. For all those who appreciate a self-contained form, this chair was a revelation. Going its predecessor Milano one better, Milanolight incorporated the same aesthetic serenity and enhanced it by connecting seat and backrest. The unique touch here is the L-shaped transition, which looks almost like a fold and whose narrow radius had never before been realized in laminated wood. The sharp 90-degree bend in the ninemillimetre-thick shell was achieved in collaboration with specialist firm Becker after months of experimentation using prototype moulds. The minimal radius was ultimately only made possible by reducing the veneer. This idea was proposed by Wolfgang C. R. Mezger, who wanted to give his “architect’s chair” even more streamlined, logical lines. The close-fitting frame, which is not bent but instead welded together with mitred corners, furthe contributes to this impression. A fine tribute to the right angle.